What is closer to the nature?
What could be closer to the nature, than cyclical volatility, the returns to familiar themes in a new environment? What could be closer to the idea of art, than the creative processing of reality?
All of these features can be found in the works of Agnes - painter, photographer and designer of interiors. Her creations interact with each other inside her apartment, which she has organized on the outskirts of a big city. There you can see, how combinations of uniqueness with everyday life, nature with the city, photographic intuition with a feeling of form and colour, lead to the synthesis of tradition and originality.
Sometimes gems can be found in unforeseen places, and the inspiration for creativity in the midst of the "dullness" of everyday life. This was the case of the apartment, which being a random offer from the periphery of the city, turned out to be a dream home. Similarly, inspirations for artists - the views that are worth to be "borrowed", preserved and maintained - can be found in the very unexpected places. "Borrowing views" is the theme of the works of Agnes. But after all - borrowings and references are qualities of each creativity, no matter if it is painting, photography, or interior design.
Photos beside: upper left - multifarious milieu views are attractive during every season of the year; upper right: complementary landscapes behind... and in front of the window; lower left: colours of the living room harmonize with the season of the year; lower right: details in interiors are "borrowed" from different cultures.
Of course, Agnieszka's concern is not limited only to creating views, because usable and decorative objects are very important in our surroundings too. Ideally, objects would combine both these functions. Selected in terms of shape, texture, colour and semantic emanation, they blend into the interior bringing connotations, they almost "spice" the whole like a seasoning for a delicious course. The eternal dilemma of art: form or content, is no longer a torment, as one complements the other. Since objects are usually naturally (in the dual sense of this word) usable, they can be filled with different substance and add variety of meanings.
"Blue Sensitizeness" (picture on canvas 100x120 cm).
Large, moody picture can provide any room with an extraordinary climate.
"Hanami 2011" - painting on canvas 120x120 cm.
Painting inspired by the Japanese flower celebration and kimono, expression of solidarity
with Japan in the year of the great tragedies in this country.
Upper photo: Enchanting, multifaceted views from the artist's studio onto various spheres of the city.
Middle left: An intimate dinner with a panorama of the metropolis.
Middle: Intriguing ikebana composed of the favourite flowers of landlady.
Middle right: Welcome to the spring in the nook of stairwell.
Lower left: Introduction to the Christmas Eve dinner in the studio of the artist.
Lower right: At the heart of the house - a table made from an old ship's side.
Upper left photo: view from climatic bedroom; because it is quite the sunny side, cover blinds and "shutters" are required. Upper right photo: impression on a blooming garlic. Lower: bedroom windows were marked by Agnieszka out with texture borders inspired by old, stylish shutters, so we have here a sort of French-Dutch-African mix, that reveals the artist's fascinations. The walls are not only designed by Agnieszka, but also hand painted by herself. Yellow, blue and green-brownish motives refer to the view of nature outside of the window. The mirror, by associations to the clock, enhance the interior with the "time depth", and of course visually enlarges the room. A number of forged parts correspond with each other and they refer to... bicycle (wheels) - the artist's favourite conveyance.
"Magic Frame" - painting on canvas 100x100 cm.
Views "borrowed" by the artist are often kind of stills from imaginary movies.
Upper photo: "Silvery pirouettes" - painting on canvas 100x100 cm. Picture in specially selected frames is "maturing" in the studio of the artist, who can not part with it.
Lower left: Floral decoration in a hand-painted bucket with motifs "borrowed" from the Agnieszka's painting "Evening for a cover".
Lower right: "Pre-spring Commas" (painting on canvas 100x120 cm) derived from the "Blade" series - one of the artist's quite recent paintings linked to former graphic inspirations.
Upper photo: winter view from the window of the artist's studio.
Lower left: "Patches of silence" (painting on canvas 100x100 cm) - obviously silence can sound with different colours.
Lower right: "Flight" (painting on canvas 100x100 cm) - the birds in the winter are as much inspiring as during other seasons of the year.
Presented paintings enrich Polish and foreign collections of individuals or remain at artist's possession.